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Writing with the sound of wind in the Baby Yoda and Baby Stitch friends sweatshirt and the occasional bird call sets the mood I need for the scene. Before long, I can almost feel the pine needles under my paws, hear the sounds of my packmates huffing deep breaths as we run in the cold night air, even the rustle of mice and other small creatures scurrying for safety. When we scent game on the breeze, my muscles bunch and my senses open to the smells and sounds of a small herd of antelope that’s coming to me on soft air currents. The hunt, the actual kill, the entire package becomes a visceral experience that I write as I feel/see/hear/smell it. Sometimes I will come out of a very intense scene feeling as if I’ve just awakened. When I go back to reread what I’ve written, I don’t even recall putting those words in that particular order, but when I’ve written something that way, I rarely have to change or edit—other than the typos!
Obviously, I don’t write everything from such a deep point of Baby Yoda and Baby Stitch friends sweatshirt, but for those scenes that matter to me and to the story, I do my best to shut out the rest of the world and “be one with the story.” It sounds corny as hell, but it works. And if your red attire is in the warm base shade (orange undertone) then once again find shades for your lips and eyes in the same family. Now dont laugh, but the best place to figure this out is in the paint sample aisle of your local hardware store. Those strips of paint colors are professionally coordinated perfectly. So find your Red dress color and then note where it falls on the strip sample. Let’s say if its 3rd then every shade of blue, brown, burgundy, and grey, etc that is 3rd on their strip, will mesh quite well. Now take those sample strips to your make up the isle and match them. Hope this helps.